MAGIC

 

MAGIC 

B

I really wish that Jaret Morlan was still on Facebook. He once asked me years ago if I had ever seen a film with a weak screenplay, but such strong performances, that I couldn't help but still give the film a positive review. At the time I couldn't think of anything. Now, I have an answer and that answer is Magic. 

I don't know if I would necessarily refer to the script as weak. It's more along the lines of a script of this mediocrity didn't deserve to have the A list ensemble of talent that it did. It was more like a good B film, that should be treated like a good B film, but somehow or another acquired some of the greatest thespians of our time. It'd be one thing for a film of this nature to have had one A list name, but this film had a ton! Anthony Hopkins, Ann Margret, Burgess Meredith & who I personally feel is the most underrated actor of all time David Ogden Stiers. It truly was a miracle that it was somehow able to attract this much talent. 

Had the film had less known actors, actors that more or less matched the material, it probably wouldn't have come off as good. I'm almost positive that with the exact same story & exact same direction, I probably could have dropped it to at least a B- if not a C+.  That's very uncommon for me, as usually a film's story, to me is the central focus of how I grade the film. It's so rare for anything, be it the acting, the directing, or anything else to be so good that it trumps the story.  Be this the exception. 

As to the story it was rather intriguing & suspenseful, but as you expected it to grow stronger, it actually grew weaker. You start off wondering if Corky is insane or if the dummy may be real to then feeling sorry for the mentally unstable Corky. Towards the end of the film you're waiting for it to be over, as it throws a final twist your way that is nothing short of laughable. 

Again, not a great film as far as story is concerned, but some really strong performances. Although it would be 13 years before Hopkins took the role of Hannibal Lector in SILENCE OF THE LAMBS you can see the beginnings of the character in his performance as Corky.  

The Pope's Exorcist

 

THE POPE'S EXORCIST = A

Anytime you go into a film like this, your personal beliefs, thoughts & theories have an effect on how you perceive what you are watching. I'm sure a Christian probably has preconceived concepts that I do not have as an agnostic, which would make the viewing experience much different. I for one do not hold strong convictions that would have a dramatic effect on how I would view such a film, so I was able to more or less view it strictly as a piece of art. 

And strictly as a piece of art, I found the film to be quite good. It was captivating, full of the right pace of horror & action. I found the character of Gabrielle & Russell Crowe's performance to be outstanding. I was excepting a bit more of a soul searching, questioning his faith, nearly giving up on it, rediscovering it prose, but wasn't disappointed as it dove right in to the heroic elements of the film. 

I appreciated the Batman/Robin-esque partnership between Gabrielle & Esquibel.  Stories of true friendship & selflessness are so rare nowadays.  It was refreshing to see the two have one another's backs, stop at nothing to save the child & risk their own lives to save one another. 

I also appreciated how neither character was perfect nor in a realm of false modesty. Both were open and honest of their sins & Gabrielle's encouragement for Esquibel to be vulnerable, without being critical or judgmental of him added to the strength of their duo. 

Of course a film like this will raise questions, both philosophical as well as theological. I know it did for me, & I'm sure it would for most who watch it.  

I did not find this to be preachy, religiously prolific or even a film of secret conversion. It was simply a good film that happens to deal with a religious subject.  I'd watch it again.